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151: More Obscure Christmas

Oh, I do enjoy breaking format once in awhile to do special episodes like this one.

For this year’s Christmas episode, I return to the songs that you don’t seem to hear on the radio when the stations are playing All Christmas All The Time. You’d think that with the huge catalog of recordings to choose from (even if the list of songs is relatively limited), radio stations could go on for literally days without ever repeating a recording. But no, we’re going to get Mariah Carey and Trans Siberian Orchestra over and over and over again.

There was one station that managed to have a pretty deep catalog one year. It was out in Colorado and I think I went four hours before I heard a repeat. So that was pretty good. I don’t think they’re still doing that, though, more’s the pity.

I took a little more time to script this show than I did last year, so for those of you who are interested, there is a transcript this time. Last year, I was working off of notes, and it clearly shows. Hey, you live and you learn. Or you don’t live long. (h/t to Lazarus Long)

Here’s the playlist for this year’s episode:

  • Grandma Got Run Over By a Reindeer (1979 version)—Elmo and Patsy
  • Christmas Kisses—Ray Anthony and the Bookends
  • Christmas on the Block—Alan Mann Band
  • Crabs for Christmas—David DeBoy
  • Christmas Time (Don’t Let the Bells End)—The Darkness
  • How to Make Gravy—Paul Kelly
  • Santa Claus is Comin’ to Town—Joseph Spence

And finally, let me note that Jenna Getty has come through again with a Christmassy version of the theme music, funded by the Patrons of the show. I haven’t mentioned this enough: Patrons of the show got a special hour-long episode a couple of weeks ago as an extra “Thank You” for their support. Plus they get the Newsletter with my lame blatherings every single week, whether a show drops or not. And if you become a Patron of the show, you’ll have access to all of that. If that sounds interesting to you, please click the link below.

Have a great and safe holiday!

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Click here for a transcript of this episode.

150: Rock Lobster

When the B-52s first hit the music scene, even their own reaction to the sound of their first album was “this is SO bleak!” because it was relatively unproduced. There was no reverb, no echo, no studio tricks filling out the gaps in the recording. And then they decided they liked it that way.

Their first single, “Rock Lobster,” was originally much faster. Then it was slowed down a little and made longer. Then it was cut down for the 45. Then it was cut down again for the radio. It didn’t matter; people liked it and they began to fill the clubs with their mashup of Surf Guitar and Punk with a splash of New Wave thrown in. The song never really tore up the Billboard charts but it’s still the B-52s’ signature song and we can’t imagine a performance without it.

That’s some stupid artwork, isn’t it. They can’t all be gems. I should note that the lobster photograph was taken by David Clode for Unsplash. Any adulterations to it are mine.

Click here for a transcript of this episode.

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