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148: Another Chat With John Hall

John Hall, you may remember from a couple of episodes ago, is the founder of the band Orleans. He recently released a solo album, his seventh (if you count the John Hall Band material). After spending some time in local and national politics, he returned to Orleans and they’re still making music. In fact, at the time of the previous interview they were putting the finishing touches on Orleans’ first Christmas album.

That album is now finished and is available for your purchasing and listening pleasure. It’s called New Star Shining, and it’s a great piece of work. There’s a lot of original material, a traditional Christmas carol and a single song from more recent holiday music canon. For lack of a better term, it’s a kind of Yacht Rock Christmas album. I think the rowdiest track on it is their version of “Winter Wonderland.”

John and I met in the atrium of a Nashville hotel (more details during the show itself), and I do hope you’ll forgive a little ambient noise. Plus, there was a little bit of both of us fidgeting with our handheld microphones. For all that, once again John comes through as a very thoughtful fellow. By that I mean he’s not spouting out canned answers to the questions I asked (although some of them were inadvertentely rehearsed–my recorder failed and we had to start over again). And even with that technical glitch, he was both gracious and forgiving, and managed to make me feel not as stupid as I originally felt when I looked at the recorder in horror and realized what happened.

Also, I’m a complete idiot because I didn’t ask for an autograph, or a selfie of the two of us, or anything. So this recording is the only evidence that we were in the same space together.

As an aside, the next day I was in the Podcast Movement conference and chatting with the people from ElectroVoice Microphones. I was using some new EV microphones for the interview. I told them about my interview “right over there in the atrium,” and some of the issues I had with the fidgeting noises and such. While we chatted, one of the EV reps walked away and then came back. He handed me a box and said, “Here, try this one.” It was a different model microphone, which he said would probably solve that problem. Boom! Free microphone! I used it to record some other material you’ll hear in an upcoming episode and I think you’ll notice the difference! This is why I worship at the Church of ElectroVoice. I did get the opportunity to thank them again a couple of days later.

So here is my follow-up interview with John, which we did during the first week of August this past summer. Enjoy!

Sorry, no transcript available for this episode. Enjoy this instead.

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146: A Chat With John Hall

Episode 146 cover, a portrait of John Hall

John Hall has been around the block a few times, and he’s not finished traveling.

In fact, when he and I chatted via Skype a short time ago, he was in the middle of a move from New York to Tennessee, and making that move in between gigs for both his solo shows and with the band that cemented his position in the Rock and Roll firmament, Orleans.

In this episode we talk about the early days of his career, including how a couple of Orleans’ first few hits came to be. We also get into his time away from the band, working on solo projects and how that turned into dedicating himself to environmental causes. And how that, in turn, provided the impetus for him to embark on a political career for several years. He managed to sponsor some legislation that not only received vocal bipartisan support, it actually passed with a bipartisan vote. It was a pretty significant piece of law, and he’ll tell you about it during the show.

After a health scare, John returned to playing music, both with Orleans and with his solo projects. He chronicled his journey in a book called Still the One: A Rock and Roll Journey to Congress and Back a couple of years ago, and this past year he released a solo album called Reclaiming My Time. (These are Amazon links but I don’t get affiliate money for them.) And during the interview he also talks about a special project that Orleans is working on, which will be coming out in the fall.

During the interview, I made mention of Orleans performing “Dancing in the Moonlight” and mistakenly said I thought the clip was from the late 70s, when they first covered it as the title track for an album. In fact, that performance was from 2006 and I present it here:

Sorry, no transcript for this episode.

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142: Anthony Robustelli

This week I’ve got something extra-special for you. It’s an interview with Anthony Robustelli, whom I got to speak with recently via Skype.

Anthony is a musician who has toured with lots of big-name performers, he’s written books about Steely Dan and The Beatles (with more to come currently on the back burner), he’s got a Beatles-based podcast that takes a whole new look at them, and his latest project is a 3D animated rock opera that takes place in the ashes of the 2016 election. Whether your politics lean red or blue, you’ll probably find it fun (though admittedly it’s a little more fun for the blue crowd).

This is a longer episode than usual—just a shade over an hour, total—but my hope is that you’ll have as much fun listening as I had chatting.

If you want to encounter him elsewhere on the web:

Where you can find him on the Twitter Machine.

LIkewise, here’s his Instagram profile.

His 3D animated rock opera, The So-Called President.

This is his main page.

shadybear.com Link to his production studio.

If you’re interested in checking out his Beatles book, this is the place to go.

And last but not least, here’s the direct link to his podcast, which is back up and running as of today! You should also be able to find it in Podcast Republic or your favorite podcatcher software: https://shadybearbklyn.podbean.com/

Enjoy.

No transcript this week, unfortunately. My apologies!

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