Donovan Leitch had already experienced some success in the UK, enough that Epic Records showed interest in distributing his music in the United States. When he signed the contract, however, it created a brief legal quagmire because his label in the UK had a distribution agreement with a different US label. As a result, there was a period where his albums and singles just couldn’t synchronize with one another. As a result, “Sunshine Superman” was released in the US months before it was in the UK, and in the meantime he’d moved on to his next project, which began with “Mellow Yellow”. Again the releases were asynchronous, but it was a Top 20 hit on both sides of the Atlantic and throughout Europe as well.
The song probably took on some extra popularity because it also became a song into which anyone could plug practically any meaning, at a time when theories about “what did the artist mean when he wrote this?” were really starting to thicken the air. And as it happens, he was largely being pretty straightforward.
As I mentioned during the show, the 1999 Gap ad has a few young future stars in it. Keep your eye peeled for Rashida Jones (Parks and Recreation) at the very end, for Monet Mazur (lots of one-offs but starring in All American starting October 2018) as the blonde girl singing the second line, and Jason Thompson (General Hospital) somewhere in between.Â
As usual, your podcatcher should have found this show by now, but if it hasn’t, or if you’re a do-it-yourselfer with the downloads, you can pick it up right here:Â