184: Highway to Hell

Despite the allusion in the title, today’s song has no spiritual content or religious references. It’s just a description of life on the road with a hard rock band that’s paying its dues. And, as the band members would tell you, they were–and are–a rock band, not a punk band, thank you very much.

AC/DC was formed in 1973 by brothers Malcolm and Angus Young in their hometown of Sydney, Australia. The band name came from an electrical adapter on a sewing machine owned by their sister and not, dear reader, from the street slang that hints at one’s sexual orientation. Within two months, the brothers Young were in the studio at their first recording sessions, and five months after that’s they were touring Australia supporting and opening for Lou Reed.

Their first lead singer, Bon Scott, joined the band in time to record their first studio album, High Voltage, in November 1974. That record was released in a limited market at first, but it did give the band its first Top 20 hit (“Baby, Please Don’t Go”) and their first radio play in the United States. The follow-up, T.N.T., led to an international deal with Atlantic Records in 1976.

The next five years were undoubtedly the golden years for the band. Their third offering, Dirty Deeds Done Dirt Cheap, was released in late 1976, and the band toured extensively around Australia, Europe and the Americas for the better part of the next three years. Put yourself in their shoes — 4 albums in as many years, with each album requiring at least 128 concerts a year — and you’d start to think of the road as being hellish. And that’s the origin of the song we dive into in this episode.

181: Influential Women Part 5–Stevie Nicks

One of the things that always amazed me about the songs that became big hits in the pop era between the 1950s and the 1990s was the sheer variety of musical styles that topped the charts.

When doing research for this show I went into a bit of a spiral looking at Billboard charts for the late 1970s, and I got stuck on the summer of 1978, with the amazing wealth of songs that were in the top 20 at the time. Some of the songs, of course have fallen into the mists of time because they don’t get the oldies airplay anymore, and that’s a shame because there’s still some very good stuff there.

This was the Top 20 chart for the week ending August 19, 1978 according to The Real American Top 40 Wiki page:

  1. Commodores – Three Times A Lady (↔)
  2. Frankie Valli – Grease (↔)
  3. Donna Summer – Last Dance (↔)
  4. Rolling Stones – Miss You (↔)
  5. Foreigner – Hot Blooded (↔)
  6. A Taste Of Honey – Boogie Oogie Oogie (↔)
  7. Pablo Cruise – Love Will Find A Way (↔)
  8. Barry Manilow – Copacabana (↔)
  9. Walter Egan – Magnet And Steel (↔)
  10. Andy Gibb – An Everlasting Love (↔)
  11. Olivia Newton-John – Hopelessly Devoted To You (↔)
  12. Joe Walsh – Life’s Been Good (↔)
  13. Toby Beau – My Angel Baby (↔)
  14. Atlanta Rhythm Section – I’m Not Gonna Let It Bother Me Tonight (↔)
  15. Evelyn King – Shame (↑4)
  16. Exile – Kiss You All Over (↑2)
  17. Steve Martin – King Tut (↔)
  18. Chris Rea – Fool (If You Think It’s Over) (↑3)
  19. Earth Wind & Fire – Got To Get You Into My Life (↑10)
  20. Jackson Browne – The Load-Out/Stay (↔)

Pretty much all of these songs, I wouldn’t mind listening to again. And that’s not always the case with songs at this level of the charts. (“Having My Baby,” anyone?) We have here a mix of disco, R&B, retro pop, ballads, a live track, a novelty song, a soundtrack title,  about a half-dozen well-established acts and three one-hit wonders (I’m not counting Steve Martin there because it’s a novelty). And they’re all at varying levels of “good”!

All of this is prologue to the fact that Stevie Nicks was in the thick of the music industry for a three-year period, either as a writer, a lead or a backup singer. All of which cemented her in the musical firmament. If she’d done nothing else after 1979, she’d still be fondly remembered.

But in addition to being all the things above, she was also a muse for several artists, much of which we’re covering in this episode. I bumped into some problems with regard to quantifying songs about her, but I did my best and I’d be curious to know what you may think I’ve overlooked, because there were a few I did research on and got nowhere.

170: I Fought the Law

How many times now have I gone into the backstory with a song and learned that the person who wrote it says something akin to, “Yeah, I knocked that one off in about fifteen minutes.”

Oftentimes they also think that the song isn’t going to amount to very much, which I find kind of funny. But it also supports a working theory I have that it’s not always the song itself, but the way it’s presented. The Crickets (sans Buddy Holly) and a few others approached it one way, but Bobby Fuller and The Clash looked at it differently, and it paid off for them.

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