When Jimmy Webb got his heart broken, what did he do? Why, he did what any other red-blooded American would do: he wrote a couple of hit songs and made a million bucks off the incident!
OK, that’s not the most common reaction, but it’s what happened back in 1967, when he wrote a song that was turned down by The Association, but picked up by an actor who’d decided he wanted to conquer the music charts.
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And, as usual, if you were to go to iTunes or wherever you find your podcasts and leave a rating, and maybe even some feedback, I’d be much obliged. Which reminds me: let me give a shout-out to Connie Paulson, who wrote such nice things on the Facebook page, and to Bob C. (dunno if he wants to be identified), who left a wonderful review on iTunes! Thanks so much, guys. That really warmed my heart a little bit.
Hey, everybody makes a mistake now and then. That’s why they put erasers on pencils, am I right?
But once in awhile, someone will make a mistake that manages to enhance rather than detract (“Eminence Front,” I’m looking at you.). And that’s where we’re going this week: we’ll look at four songs that had mistakes in them where the artists made a conscious decision to keep the error in place because it actually makes the song a little bit better.
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And any feedback is good feedback…especially if it’s good feedback. so please take the time to leave a rating on iTunes or whatever app you’re using to listen to the show. Much appreciated! And for your efforts, here’s a video clip of the the engineer’s point of view behind one of the stories in the show:
This was the song that heralded the Dylan Goes Electric era, and when he first played it live at the 1965 Newport Music Festival, he was met with boos and charges that he’d sold out, or was somehow a “traitor” to his folk roots.
But Bob Dylan stuck to his guns, and “Like a Rolling Stone” became, and remains, his biggest single ever.
This is the picture sleeve of the 45.
If it hadn’t been for a quartet from Liverpool and their obvious cry for Help!, it probably would have gone all the way to Number One on the Billboard chart.
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During the podcast I mentioned an interactive video that’s connected to this song. Here’s the teaser trailer:
But the real fun lies here: you can play with the original video on your own by clicking on this link. I will refund every dime of your money if you don’t think this is cool.
One of several labels used for the 45 of this song. I think this was the retail version of the original release, based on what the promo label looks like.
Chester (“Chet”) Powers was a musician who was well-known in the café scenes on both coasts, and certainly had his influence on other musicians. He’s also known for being a member of the band Quicksilver Messenger Service. But for all that, he only wrote one song that was any kind of a commercial success, and that was after a virtual parade of artists had already recorded it.
This episode also features a 2-1/2 minute clip from a show called “The Life and Times of Dan Ingram”, a special program that runs for about six hours (no kidding) about one of the greatest disc jockeys of the Rock and Roll Era. It originally aired on RewoundRadio.com a little over a year ago. Thanks so much to Allan Sniffen, the heart of that website and the guy who knows pretty much everything there is to know about WABC-AM’s Musicradio days. And if you go over there, you’ll immediately recognize that this show’s title is absolutely an homage. (No, I didn’t tell Allan that until after he’d agreed to provide me with the clip. Heh.)
Coincidentally (because I’m terrible at planning ahead), I’m typing this post on Thursday evening, September 7. Today happens to be Dan Ingram’s 83rd birthday. Happy Birthday, Big Dan!
Dan Ingram at WCBS-FM.
I got to meet him back in the summer of 1984 when he was doing the Top 40 Satellite Survey for CBS Radio, and he couldn’t have been a nicer, more giving fellow, especially considering the way my 21-year-old self was sputtering my way through the interview. He had a fabulous way of putting me at my ease. Unfortunately, I no longer have the tape of that interview. (Divorce can be a suck-fest, kids.)
Here’s a link to one of Allan’s other labors of love:
Musicradio77.com is a collection of stories, photos, airchecks and other goodies for anyone who was a fan of WABC in its Musicradio heyday. Click on the music note at left to visit that site.
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And of course, I wouldn’t complain too loudly if you went to iTunes and gave me a positive review. Even if that’s not your podcast catcher, every little bit helps.
This week, we’re taking a look at the Buckinghams, a Chicago-based group which had five big hits, all of which charted in a single year, after which they practically disappeared off the charts.
For thirty years I harbored a suspicion that most of their hits were all about the same person, so I did a little research to find out what the story was. And, of course, the answer practically dropped into my lap.
As usual, if you haven’t subscribed via iTunes or your favorite podcast catcher, you can download the file, or listen from right here:
That said, I wouldn’t complain too loudly if you went to iTunes and gave me a positive review. Even if that’s not your podcast catcher, every little bit helps.
Some links related to today’s show…
Rock ‘n’ Roll Stories: James Holvay (KLCS-TV interview) https://vimeo.com/88115020, retrieved 8/6/17. This is a great interview piece.
All Time Hits, WGN 1965, Several concatenated clips of the Buckinghams singing Beatles hits. https://www.youtube.com/watch?v=RId6u8fNsng posted by Dennis Miccolis and retrieved 8/6/17
McLane & Wong Entertainment Law, “The Buckinghams” (1996) http://www.benmclane.com/bucking.htm , retrieved 8/6/17
Confessions of a Pop Culture Addict; Hey Baby, They’re Playing Our Song: A Conversation with Carl Giammarese (2010?)
http://popcultureaddict.com/interviews/buckinghams-htm-2/ , retrieved 8/6/17
Incidentally, I recorded this show about two weeks ago, and I made a brief mention of the song “Despacito” by Luis Fonsi and Daddy Yankee. At that time it was pretty much the Song of the Summer, but according to Billboard Magazine, it’s reaching a new streaming record and about to tie with Mariah Carey & Boys II Men’s “One Sweet Day” for the Most Weeks at #1 on the Hot 100 (that’d be 15 weeks at Number One). If it remains #1 for another two weeks, it’ll be the sole record-holder. Get that story here.
Some of the sources for today’s show:
The article from the Washington Post that I cited appears here:
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