Pardon my allergies; I’ve sounded kind of rough for a week or so. There was a lot of throat-clearing to edit out of this one. I can’t even blame the Southern Studio on this one; it’s the direct result of spending too much time cutting the grass at home. (And THEN I can blame the Southern Studio a little bit, because I went there the next day and it certainly didn’t help matters.)
How does one spend too much time cutting the grass? By having an electric mower and starting the job with a battery that isn’t fully charged, that’s how.
This is an episode topic I’ve wanted to return to for a long time, but for some reason I kept procrastinating. But way, way back in Episode 11, I featured a bunch of songs that had mistakes in them which were discovered before the final product was released, but they decided they liked it better that way and ran with it. And today we return to that well for another dip.
The tough part with songs like this is curating the best ones to use. Led Zeppelin often left in stray noises because they didn’t really care (ringing phones), or because they were actually counting on it (squeaky pedal on Bonham’s drum kit). So finding one that was both inadvertent and improved the recording? Absolute Gold, Jerry. Similarly, The Beatles would make an error in rehearsal or elsewhere and decide that that was something they needed to retain/reproduce (e.g. the wine bottle rattling at the end of “Long Long Long”), so those weren’t really good candidates.
And, of course, you run into a story which is just plain wrong. Yes, Ronnie Van Zant was talking to the board operator when he said “turn it up” while recording”Sweet Home Alabama,” but he did not mourn the loss of doughnuts near the end. (What you’re hearing is, “Montgomery’s got the answer.”)
At any rate, I finally buckled down and did the necessary research, and I hope you have fun with this one as much as I did.
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